December 2013

 


Pop Art Design

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Posted June 26, 2013 by artBahrain in Museums

Moderna Museet – Stockholm, Sweden
Until 22 September 2013

 

James Rosenquist I Love You with My Ford , 1961 © James Rosenquist/BUS 2013. Photo:Moderna Museet/Prallan Allsten

James Rosenquist
I Love You with My Ford , 1961
© James Rosenquist/BUS 2013.
Photo:Moderna Museet/Prallan Allsten

 

The time of birth for “pop” as an art term can be specified almost to the day. “Pop Art” was the controversial subject of a symposium held on 13 December, 1962, at the Museum of Modern Art in New York. Artists in the UK and the USA had been challenging established traditions and hierarchical structures ever since the 1950s, with a new aesthetics, culled from the life and people around them, from mass and popular culture.

Today, pop art is regarded as the most influential post-war art movement, and its images continue to inform our understanding of cultural identity. Those who became known as pop artists found their subject matter in everyday life, pictures of celebrities and the mass media, and in advertising, symbols and logotypes created by designers. The imagery and strategies of pop art, in turn, served as inspiration to many designers.

“In some ways, we are living today in the aftermath of a society that was shaped in the pop era. Issues of identity, commercialism and popular culture are still highly relevant. The celebrity cult exploded in the postwar era and is just as strong today, and perhaps everyone can have their 15 minutes of fame now, for instance with Instagram,” says the curator Matilda Olof-Ors.

Pop Art Design explores the dialogue that arose between the two disciplines. The exhibition covers art and design objects from the early 1950s to the early 1970s, and features some 80 works of art and as many design objects, films and documentary photographs. Works by Peter Blake, Judy Chicago, Öyvind Fahlström, Richard Hamilton, Roy Lichtenstein, Martial Raysse, Ed Ruscha and Andy Warhol are shown together with design objects by Charles and Ray Eames, Alexander Girard, Verner Panton, Carla Scolari, Ettore Sottsass, Studio 65, Studio DA, Superstudio and others. The exhibition is organised jointly by Vitra Design Museum Weil am Rhein and Moderna Museet, Stockholm, in association with Louisiana Museum of Modern Art, Humlebæk, Denmark.

Pop art is forever linked with Moderna Museet. The time when the term “pop” was established as a concept in art can be specified almost to the day. “Pop Art” was the controversial subject of a symposium held on 13 December, 1962, at the Museum of Modern Art in New York. That year, Pontus Hultén organised the exhibition 4 Americans at the Moderna Museet, featuring Jasper Johns, Alfred Leslie, Robert Rauschenberg and Richard Stankiewiez. In 1964, American Pop Art – 106 forms of love and despair opened, and in 1968, Hultén presented the first solo exhibition with Andy Warhol in Europe. Moderna Museet has maintained its close links to pop art, featuring acclaimed solo exhibitions with, for instance, Ed Ruscha in spring 2010.

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