Do-Ho Suh
Lehmann Maupin
Hong Kong, China
Until 25 January 2014

DO HO SUH_
Specimen Series: 348 West 22nd Street, APT. New
York, NY 10011, USA – Bathtub, 2013
polyester fabric
13.4 x 59.1 x 30.1 inches
34 x 150.1 x 76.5 cm
Edition of 3
Acclaimed Korean artist Do-Ho Suh’s First Solo Show in Hong Kong
Featuring life-size fabric sculptures of domestic objects that explore the idea of home and memories of personal space
Lehmann Maupin is pleased to present the first solo exhibition in Hong Kong of acclaimed Korean artist Do-Ho Suh, who is best known for his fabric sculptures that recreate the spaces of his homes and the domestic objects found within. The exhibition is on view until 25 January 2014 at 407 Pedder Building, 12 Pedder Street, Central, Hong Kong and coincides with the opening of Suh’s installation Home within Home within Home within Home within Home at the National Museum of Modern and Contemporary Art in his native Seoul in South Korea. Lehmann Maupin Gallery has represented Do Ho Suh worldwide since the beginning of his career and gave the artist his first gallery show in 2000.
For the exhibition, Suh explores the idea of home and memories of personal space by reproducing, in actual scale, objects from his former New York City apartment. Whether it is a light switch, doorknob, refrigerator, or bathtub, Suh believes an individual’s particular memory of space can be captured by these everyday objects, and that the physical contact and mental memory of an item’s place and form within the home creates a familiarity within one’s spatial dynamic. Similarly, these objects are a way for Suh to remember the New York City apartment he occupied from 1997 to 2011. The fabric sculptures include a true-to-life radiator from the corridor of his building in red fabric, and a medicine cabinet, bathtub, refrigerator, stove and toilet from the interior of his apartment in blue fabric. Also included in the exhibition are smaller objects from the artist’s former home in Berlin in green fabric in addition to similar items in red and blue from his New York home. This collection of translucent sculptures is a continuation of Suh’s ongoing Specimen Series, which the artist has ambitiously expanded for the Hong Kong exhibition by turning his attention to larger and more complex objects, and presenting them in new and innovative ways that utilize light to highlight their transparency.
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