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September 2012
MANAMA
CAPITAL
OF
ARAB
CULTURE
2012
CAPITAL
OF
ARAB
CULTURE
2012
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September
Biennial
Zaha Hadid Architects
at Venice Architecture Biennale 2012
Corderie dell' Arsenale
29 August - 25 November
at Venice Architecture Biennale 2012
Corderie dell' Arsenale
29 August - 25 November
ARUM INSTALLATION
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THIS YEAR’S Biennale theme ‘Common Ground’ shows how the work of the major protagonists of contemporary architecture - often regarded as independent individual creations - is in fact based on historical lineages of collective research. This is also true of the work of Zaha Hadid Architects. It is well known that the early work was initially inspired by Russian Suprematism.
In our installation and exhibition at the Biennale we want to show that - apart from the dialogue with the work of contemporary competitors that existed all along - our recent work connects to a rather different historical strand of research. The more our design research and work evolved on the basis of algorithmic form generation, the more we learned to appreciate the work of pioneers like Frei Otto who had achieved the most elegant designs on the basis of material-structural form-finding processes. From Frei Otto we learned how the richness, organic coherence and fluidity of the forms and spaces we desire could emerge rationally from an intricate balance of forces. We expanded Frei Otto’s method to include environmental as well as structural logics, and we moved from material to computational simulations.
One particular area of research we would like to explore with our installation is the domain of light - weight shells in combination with tensile structures. We have already designed a number of complex shells as well as some tensile structures. Here, for the first time, we would like to integrate these two worlds. The Arum shell is an installation made from pleated metal. We will surround the installation with the documentation of our research, including key reference projects of the pre-eminent precursors in this line of research.
On exhibit are works of Frei Otto, Felix Candela, Heinz Isler among others and include work by Philippe Block, a young, contemporary researcher of stone compression shells.
In our installation and exhibition at the Biennale we want to show that - apart from the dialogue with the work of contemporary competitors that existed all along - our recent work connects to a rather different historical strand of research. The more our design research and work evolved on the basis of algorithmic form generation, the more we learned to appreciate the work of pioneers like Frei Otto who had achieved the most elegant designs on the basis of material-structural form-finding processes. From Frei Otto we learned how the richness, organic coherence and fluidity of the forms and spaces we desire could emerge rationally from an intricate balance of forces. We expanded Frei Otto’s method to include environmental as well as structural logics, and we moved from material to computational simulations.
One particular area of research we would like to explore with our installation is the domain of light - weight shells in combination with tensile structures. We have already designed a number of complex shells as well as some tensile structures. Here, for the first time, we would like to integrate these two worlds. The Arum shell is an installation made from pleated metal. We will surround the installation with the documentation of our research, including key reference projects of the pre-eminent precursors in this line of research.
On exhibit are works of Frei Otto, Felix Candela, Heinz Isler among others and include work by Philippe Block, a young, contemporary researcher of stone compression shells.
Credits
Zaha Hadid Architects
Design
Zaha Hadid with Patrik Schumacher
Exhibition Design
Woody Yao, Margarita Valova
Installation Design and Presentation
Shajay Bhooshan, Saman Saffarian, Suryansh Chandra, Mostafa El Sayed
Structural Engineering
Rasti Bartek, Buro Happold, UK
Material & Fabrication Technology
Gregory Epps, RoboFOLD
Coordinator
Manon Janssens
In collaboration with
Studio Hadid, Universität für angewandte Kunst, Vienna
Jens Mehlan, Robert Neumayr, Johann Traupmann, Christian Kronaus, Mascha Veech, Mario Gasser, Susanne John
The BLOCK Research Group, Institute of Technology in Architecture, ETH, Zurich
Philippe Block, Matthias Rippmann
Faculty of Architecture, ETH, Zurich
Toni Kotnik
Centro de Investigaciones y Estudios de Posgrado, Faculty of Architecture, UNAM, Mexico
Juan Ignacio del Cueto Ruiz-Funes
Zaha Hadid Architects
Design
Zaha Hadid with Patrik Schumacher
Exhibition Design
Woody Yao, Margarita Valova
Installation Design and Presentation
Shajay Bhooshan, Saman Saffarian, Suryansh Chandra, Mostafa El Sayed
Structural Engineering
Rasti Bartek, Buro Happold, UK
Material & Fabrication Technology
Gregory Epps, RoboFOLD
Coordinator
Manon Janssens
In collaboration with
Studio Hadid, Universität für angewandte Kunst, Vienna
Jens Mehlan, Robert Neumayr, Johann Traupmann, Christian Kronaus, Mascha Veech, Mario Gasser, Susanne John
The BLOCK Research Group, Institute of Technology in Architecture, ETH, Zurich
Philippe Block, Matthias Rippmann
Faculty of Architecture, ETH, Zurich
Toni Kotnik
Centro de Investigaciones y Estudios de Posgrado, Faculty of Architecture, UNAM, Mexico
Juan Ignacio del Cueto Ruiz-Funes