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Selected works from the
38th Annual Fine Arts Exhibition
Jul/Aug 2012
MANAMA
CAPITAL
OF
ARAB
CULTURE
2012

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Jul/Aug
Museum
Career Retrospective of
Yayoi Kusama

Whitney Museum of American Art, New York
12 July - 30 September
Yayoi Kusama, b. 1929, Accumulation, c. 1963. Sewn and stuffed fabric, wood chair frame, paint, 35 1/2 x 38 1/2 x 35 in. (90.2 x 97.8 x 88.9 cm). Whitney Museum of American Art, New York; purchase 2001.342. © Yayoi Kusama. Photograph by Tom Powel Yayoi Kusama, b. 1929, Fireflies on the Water, 2002. Mirror, plexiglass, 150 lights and water, Overall: 111 x 144 1/2 x 144 1/2 in. (281.9 x 367 x 367 cm). Whitney Museum of American Art, New York; purchase, with funds from the Postwar Committee and the Contemporary Painting and Sculpture Committee and partial gift of Betsy Wittenborn Miller 2003.322a-tttttttt. © Yayoi Kusama. Photograph courtesy of Robert Miller Gallery Yayoi Kusama (b. 1929), Self-Obliteration No. 1, 1962—7. Watercolor, ink, graphite, and photocollage on paper, 15 7/8 x 19 13/16 in. (40.4 x 50.4 cm). Collection of the artist. © Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York
Yayoi Kusama (b. 1929), An Encounter with a Flowering Season, 2009. Synthetic polymer on canvas, 51 5/16 x 63 3/4 in. (130.3 x 162 cm). Collection of the artist. © Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York Yayoi Kusama (b. 1929), Late-night Chat is Filled with Dreams, 2009. Synthetic polymer on canvas, 63 3/4 x 63 3/4 in. (162 x 162 cm). Collection of the artist. © Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York Yayoi Kusama (b. 1929), I Want to Live Honestly, Like the Eye in the Picture, 2009. Synthetic polymer on canvas, 51 5/16 x 63 3/4 in. (130.3 x 162 cm). Collection of the artist. © Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York
NEW YORK. Yayoi Kusama-whose work spans more than six decades of intense productivity in Japan and the United States-is the subject of a retrospective opening at the Whitney Museum of American Art on July 12, 2012. Legendary, semi-reclusive, and still vibrant, Kusama, who turned 83 in March, has created an extensive body of work since the 1940s. Ranging from her earliest explorations in painting to new works made in the past few years, this survey-the artist’s first major exhibition in New York in fifteen years-celebrates a career of exceptional duration and distinction, tracing the development of Kusama into one of the most respected and influential artists of her time.

On view at the Whitney through September 30, the traveling exhibition is organized in collaboration with Tate Modern and has been seen over the past year in Madrid, Paris, and London; the Whitney is its final stop. It was curated by Frances Morris, Tate’s Head of Collections (International Art). The Whitney installation is overseen by curator David Kiehl. Both Tate and Whitney presentations are supported by Louis Vuitton.

In 1989, Kusama was given important solo exhibitions at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, England. In 1993, she participated in the 45th Venice Biennale. As Chris Dercon, director of Tate Modern, notes in his foreword to the catalogue, “This is the first large-scale museum retrospective of Kusama’s career
to be staged in the west since Love Forever: Yayoi Kusama 1958-1968, the seminal survey of her work organized by the Los Angeles County Museum of Art and The Japan Foundation in 1998…Love Forever focused exclusively on Kusama’s production during her years in the United States. This exhibition, by contrast, seeks to show the full breadth of the artist’s output throughout her lengthy and varied career, contextualizing Kusama’s American sojourn with representations of her early and late career in Japan.”

Yayoi Kusama’s art encompasses an astonishing array of media, including painting, drawing, sculpture, film, performance, and immersive installation. It ranges from works on paper featuring semi-abstract imagery, to soft sculptures known as Accumulations, to her Infinity Net paintings, made up of carefully repeated arcs of paint built up into large patterns, to the dense patterns of polka dots for which she is perhaps best known. Like her near contemporaries Eva Hesse, Louise Bourgeois, and Nancy Spero, Kusama’s work has gained over time the recognition it deserves,