Posters and Patriotism: Selling World War I in New York artBahrain April 4, 2017 design Museum of the City of New York New York, NY, USA 5 April – 30 April 2017 From the outbreak of the European conflict in 1914, however, New York had also been a city at war with itself—a place where debates about ethnic and racial loyalty, pacifism, the right to side with France, Belgium, and England or Germany, and the very meaning of patriotism spawned impassioned art for a mass audience. When the United States entered World War I in April 1917, New York City’s artists and illustrators were enlisted in the war effort. Many of them worked for the federal government’s new Division of Pictorial Publicity. The exhibition Posters and Patriotism: Selling World War I in New York examines the outpouring of posters, flyers, magazine art, sheet music covers, and other mass-produced images created by these New Yorkers to stir the American public to wartime loyalty, duty, and sacrifice. On display are over 60 examples from the Museum of the City of New York’s renowned World War I poster collection donated to the Museum by railroad executive and financier John W. Campbell (1880-1957) in 1943, most exhibited for the first time, as well as the work of defiant artists in such colorful publications as The Masses, The Fatherland, and Mother Earth. Manufactured patriotism, propaganda, and selling the public to think of “America first” and fight what the federal government defines as a terrifying and deadly foreign enemy is nothing new – at least to New Yorkers.